Working with both tangible and simulated materials, she is drawn to what has been left behind: fragments marked by time, discarded glass, objects gathered from the street. These remnants form an ongoing dialogue that gives shape to her work.
Metal, wood, paper, and glass are her primary languages, explored through a blend of traditional and contemporary techniques. A background in architecture from the University of Hong Kong, combined with hands-on experience and continuing studies in set design, allows her to translate this dialogue into form and structure, grounded in repetition and the quiet rhythms of architectural order.
Open to commissions and collaborations.